About-Kate O'Neil


Bio
Kate O’Neill has been working for social change since Earth Day 1970. She holds degrees in Education (Ed.D. Harvard, ’97) and Creative Writing (MFA, IAIA, ’18) and has served as a community college professor for more than three decades. Her poems have appeared in Poetry Ireland Review, Journal of War, Literature and the Arts, Taos Journal of Poetry, Skylight 47 and in numerous anthologies. Her works include a full-length book: Harp in Hand: Poems of Ireland (3: A Taos Press, 2026) and a chapbook Flap & Dust: Poems of Resistance (Bookleaf, 2026) both forged in belonging, resistance and a sense of spirit. She holds dual United States-Irish citizenship and lives with her wife and family in Northern New Mexico.
Artist Statement
Poetry is a soul-song—a luminous journey through memory, imagination, and the unseen threads that bind spirit to place. Moving between worlds, we traces passages from loss to remembrance, where life itself becomes both teacher and witness and we are the stenographers of imagery.
Whether along the coasts of Connemara or the ancient streets of Galway—the veil thins. Wells whisper. Trees hold memory. The Otherworld breathes just beneath the surface, alive in wind, water, and stone. Here, the past is not gone—it is listening. Ancestors gather not as shadows, but as presence—felt in the body, carried in the breath, calling the living back into relationship.
In resistance we return—not only across oceans, but inward, toward essence. The great crossing becomes part of a wider spiritual migration, where identity fractures and reforms, and where longing itself becomes a guide. Through grief, exile, and endurance, something sacred persists: a quiet knowing that cannot be erased. The human spirit demands to be honed and honored—through hope and discipline, creativity and suffering. The ordinary lives of those who came before, though unremarkable, are honored as brave and necessary. Their breath continues in ours. Their lives, a commitment to a better world still unfolding.
In poetry, symbols rise like offerings—Brigid’s flame, the trembling notes of the harp—each one a doorway into deeper remembering. Resistance, too, is a home—not a place we find—but a presence we awaken to.




